And Then Winter

Stitch Meditation on Trees

 As I sit and look out my window,

Or stroll on my almost daily walk

Tall trees stand

Exposed, bare

No fancy dress of greens, pinks, oranges or reds

Just skin and bones

Skeletons really

Waiting.

Waiting for spring to come.

Waiting for a new day.

A day when the sun will again warm the earth.

Waiting for a new dawn.

When new growth will begin to stir

Nourished.

Exploding into riotous color.

Providing shade, shelter, food.

To a world that’s been waiting.

Resting.

Preparing for a new day.

 

Happy needle pulling thread!

Rose

She Colored Everything Yellow

I really want to get back into blogging on a regular basis. I do enjoy it. I thought I had submitted something on this quilt but I guess not so here goes!

She Colored Everything Yellow Art Quilt

This is the first finished entry in my “She  colored everything yellow” series based on a memory from the past. This art quilt was started in a workshop given by Deborah Boschert in 2016 and finished in 2017.

As an adult I realized that I had a serious problem with the way other people reacted to me. Everything, from not taking me serious, to making fun of what I was saying or of my ideas, to criticizing me or my work. At times it could cause me to start crying my eyes out (in private of course). I have always been a very shy, quiet, and even at times timid person. Sometime in my late fifties I decided enough. I prayed and asked the Lord to show me why I was so sensitive to the words of others. Then a memory surfaced from my childhood. One that I had not remembered or acknowledged since the day it happened.

I was in first grade. The class was a combination class of first and second graders. The teacher wanted to work with the second graders so she instructed the first graders to color a page in our workbooks. I raised my hand and the teacher told me to be quiet and do as I was told. So I did.

As she was teaching she walked around the room, when she came to my desk she took my workbook and held it up to the class. “Look what Rose did” she exclaimed to the class. “She colored everything yellow.” The entire class – first and second graders started laughing. I was embarrassed and ashamed.

What I had tried to tell the teacher was that I only had one color crayon, the color yellow.

That was the beginning of a seed sown in my heart that kept on growing and causing me to be super sensitive to words spoken by others about and to me. Sometimes the weeds would be pulled out but the root remained and continued to grow until I allowed Jesus to exposed the root and remove it from my heart.

Now I love the color yellow. It reminds me of what He has done for me and gives me hope, love and courage!

Small Communities

A while back I had the idea to put together some small kits for fabric collage work. 

The stARTer Collage Kit

I finally got around to doing this and used a few to test out my instructions with a small group of friends. They were my "alpha testers". They enjoyed the process and we had a pleasant afternoon working on them. My directions were not finished but we did our best. Here's a photo of the results. 

The work of the first testers

One member enjoyed it so much that she has continued the process at home. Here's a photo of her work.

Donna Atkins addition work

This Thursday I spent an evening with one of my small communities. Our main emphasis is art. We do a variety of handwork and machine work from painting to weaving, knitting to crocheting, embroidery to quilting, etc. You get the picture – that’s why our group name is EtCetera. So for this session I had agreed to do little stitch meditations using my art collage kits. I had plenty for them to choose from and each kit contained 4-5 small pieces of fabric along with 3-5 colors of perle cotton thread, a felt backing and some needles. A rough draft of my instructions was also included.

The hope was they would be my beta testers and give me some useful feedback on the kits. That hope was definitely realized.

Collages from the EtCetera Group

Even though I was exhausted from working late the night before and from early in the morning preparing the kits I left with a feeling of satisfaction and well-being. Was that from the success of the kits? No.

It was from a sense of community. As the group of about 15 ladies sat around the table working out their designs and stitches, they carried on with conversations about life. Not politics, not religion, just life in general. One person shared a bit of joy that had happened in her life, we thought about our “leader” who was unable to attend due to her husband recently having surgery. But mostly the conversation dwelt around animals, both wild and domestic and their antics and interactions with each other and with humans.

It was a very enjoyable and relaxing evening. I think we, as humans living in a very busy, sometimes disjointed age, need to have more of these small community gatherings where we just work with our hands and engage in chit-chat.

More collages from the EtCetera Group

I meet with a number of small groups loosely formed around the bigger world of quilting however it wasn’t until this meeting that I used the words “small community” to describe these gatherings. That to me is what we are – small communities doing life together.

One of the participants said “the group wound up chatting like magpies, telling stories, and laughing while we stitched. I really didn’t want to leave”.

More collages from the EtCetera Group

The youngest member of the group came up to me at our guild meeting to show me her finished piece although she said it wasn’t finished she wanted to put a backing and binding on it to turn it into a coaster. Her mom said she had already taken over her piece to “fix” it for her and that the daughter was planning on doing even more to use as practice pieces to improve her stitching. I was thrilled because that is my strongest wish to encourage and give young people the thrill of hand stitching.

Keep on stitching and sharing!
Rose

Winging It Creatively

This goes out to all my friends who sometimes (or maybe always) wing it when working on a creative piece. I’m not one of those people who plan everything out in detail before starting. I tend to dive in and go for it. Of course I do have a habit of thinking and thinking and thinking about something before I actually start doing it but once I start anything can happen.

I’ve been working on a couple of small art quilts using my Stitch Meditations. The meditations were started with no thought of how they might be used, they were just quick (well maybe not so quick) stitching using scraps of fabric and threads. As they progressed though they started presenting themselves as something more and I just had to go with it. Even to the point of not doing stitch meditations on a daily basis. I will get back to that though because I really enjoy it and they seem to spark more ideas.

So I just started seeing how I could put some of these little pieces together. For one I knew I wanted a “white-whitish” background using strips of different white and white-on-white fabrics in varying widths. I wanted to quilt the background using straight – well sort of straight – lines. I originally thought I would do lines very close together but when I just did lines ¼ to ½ inches apart I decided that was the look I had in mind. See less is more as one of my art teachers always told me. I had a tendency to throw everything but the “kitchen sink” into my work. So she always encouraged me to remove something. Nowadays I’m trying to use that principle more and more.

Okay the background is done, now to attach the stitch meditations. Once I had arranged them the way I wanted I noticed the ones in the four corners had a little curve to them and if I arranged them just right it gave a hint of a circle to the piece.

After looking at it on my design wall for some time I thought I wanted to add some stitching on the background to add to the circle effect. After talking with some friends and getting their opinions (some saw what I was getting at, others had other ideas I could try) I went with my original idea and finally dove in and started stitching.

I wasn’t too pleased with the way it was looking but since I had put in the beginning stitches I had to commit to them (I was afraid if I pulled them out I would have big pukas (holes in Hawaiian) that would be difficult to hide. The thread I was using was DMC Pearl cotton size 8 and the needle was fairly thick.

After I started and did the bottom section and part of one side I put it up on the design wall. I liked it but the stitching was a little wonkier than I wanted. I wanted a very organic circle not a perfect circle.

Light bulb moment: I really should have put it up on the wall and then determined where my stitching would be placed. It would have been easier to see where the line should be rather than looking at it flat on the table. I could have used a string or tracing paper to get it placed better. With the tracing paper I penciled in the lines on the paper and then made a few marks for guides and then cut out the tracing paper.

Now it was time to mark the background. Remember the background is white. I did not want my markings to show. I did not want to use an erasure or water to remove the marks. Then I remembered my Hera tool. That will make a small crease in the fabric that will stay there until I have finished stitching. Perfect.

I’m done stitching and I’m not sure it had the effect I was hoping for but it’s done.

Next time I think I would test it out on a small sample first. And of course I have the tips for marking now that I can use at the beginning of the project rather than in the middle!

I’m thinking I may like it better if I added another circle inside the circle and another one inside that. But for now it’s done.

I can always come back and add more circles if I want to because:

Less is more but sometimes, just sometimes, more is better!

Enjoy stitching!

Rose

Sunday Thoughts - Blue, Red, Yellow

Stitch Meditations Done in Blue, Red, and Yellow

I am still working on my Stitch Meditations. I occasionally get behind but then I catch up only to get behind again.

I worked a series of red and white for valentines and then worked a series of white, cream, and beige. Then I went back to color.

I did an all blue one. Then I decided to do an all yellow one. Since those are primary colors I decided to do another red one. And then the thought came to me: isn’t it amazing that God took just three colors and from them created all the other colors we so enjoy today. That just blew my mind. And then I thought wow – Blue for heaven where God’s throne is, Red for His blood that was shed for our redemption, and Yellow for His Spirit, the light of the world. And really that’s all the color we need.

That’s my Sunday thought for this week.

Enjoy living in such a colorful world!

Rose

I did it! 30 Daily Stitch Meditations!

The first 30 Stitch Meditations for 2019

Here’s a look at all of them. I’m going to explore with you some of hat them in more depth as we go along. Some I like more than others; some have taught me valuable lessons about myself and my style. But the first ones I’m going to cover are these.

Recently a friend was giving away strips of fabric she wanted to get rid of. They had been decorated by students at a workshop she taught. I took 3 of her strips but had no idea why.

Then I started researching an idea I had to see if anyone else was doing it. Well you know what happens online in places like google; Pinterest; Flickr and the likes. Rabbit holes are all over the place! I stumbled on this technique and realized that was what was going on with those fabric strips.

About the same time I came across the Stitch Meditation group on Facebook. I joined in and started creating little mini fabric collages which became a perfect place to use pieces of the strips. I’ve indicated where the strip was used on each piece.

First up are the “whole cloth” ones, only stitches were added to these and sometimes some buttons and lace. 

One took on the appearance of a fan.

Fan shape with lace trim

Another one had faces looking out at me. 

Faces one side view one straight on

One spoke to me of a summer cloudburst. 

Summer cloudburst over the hills

And then there was just stitches wandering around buttons and space.

Stitches and buttons wandering around

Placed with other fabric they blended in sometimes just a square in the middle,

Square in the middle

sometimes most of the middle,

Most of the middle section

or on the left side.

On the left side

One even joined with a piece of felt leftover from a stitching project my 4 year old granddaughter and I made.

A piece of felt and lots of stitching

Now back to the rabbit hole:

The process is simply using pre-washed fabric, rubbing alcohol and Sharpie pens. You can do it flat or place the fabric over a jar or some type of container and then use rubber bands to hold the fabric in place.

You color the fabric with two or three markers and then spritz it with a little rubbing alcohol or use an eye dropper to drop the rubbing alcohol onto the colored area. Then be patient and watch the magic happen. The color will start to spread. You can add more rubbing alcohol if desired or wait for the fabric to dry (takes just minutes) and then add more color and/or rubbing alcohol.

Some Sharpies will not work; like the ones made for fabric or the fast drying ones.

This process requires experimentation, patience, and imagination. The fabric should be heat set with an iron for 5 minutes (keep moving the iron to keep from scorching the fabric and use a press cloth), or it can be placed in a dryer.

It is best to use this fabric where it will not require washing.

Enjoy!

Rose

Finish It Friday Is Back!

Well technically Finish It Friday is to be something I finish on Friday. This kinda is since it is Stitch Meditations for Week One 2019-

I'm actually planning on posting these every seven days so I am a little late with the first seven for 2019.

So here they are:

One

Fabric samples from long ago plus some old variegated threads

Two

Background fabric hand marbled by my son 30 years ago, dk pink scrap left after cutting out petal for an applique rose design. Looked like a footprint to me!

Three

Scraps of fabric and a couple of buttons.

Four

Background fabric was cut from a piece of Sharpie/rubbing alcohol treated fabric gifted to me. My son mentioned a fan I had when he was a kid and this piece turned into a fan with a little stitching and some lace.

Five

Scraps of random fabric stitched together, some more of the Sharpie/rubbing alcohol fabric plus two commercial fabrics. This is one of my most favorite works so far. So much so that I scooped up what little fabric I had of these and stored them away for a future small art quilt I want to make.

Six

Just some scraps of fabric, a yoyo someone else made and a button tied together with some sweet light pink thread.

Seven

Scraps of fabric and two buttons. Love the slightly bohemian look of this one.

Enjoy!

Rose

FIF and Catch-up

Stitched and waiting for inspiration

I did finish the stitching on this as hoped but I was sitting in the hospital that weekend with my husband (he’s ok) so I didn’t get it soaked in water until later. But it did work and it has been dried and then damp stretched. Great! Now the embroidery is on my design wall waiting for inspiration. I’m thinking I may want to fill in some of the areas with free-form stitching. I’m also considering making it the center of a quilt that will feature my scribbling stitching.

Speaking of scribbling, my use of scribbles for embroidery is somewhat humorous and not very “artsy” to me. I started scribbling as “art” work when I was a child. I picked it up again when I reached 60+ (is that called becoming like a child again?). Then this last time I was at the local hospital I walked a corridor and glanced at the art work on the wall. To my surprise I saw scribbles incorporated in collages. Suddenly I don’t feel silly using scribbles as a basis for my embroidery work anymore.

Hospital Collage Art Work using Scribbles

Now for some catching up, I’ve been busy making things for my new granddaughter Samantha! First while I was still at the hospital I started making a cupcake hat for her (she hadn’t arrived yet). 

Crochet Cupcake Hats

I started using a pattern I found on Repeat After Me and used it as a guide for the top part. For the bottom (the brown section) I decided to do my own style using a crochet ribbing stitch. And I eliminated the earflaps also. If I make another one I think I will make some more modifications. I finished three tops while at the hospital (since that was all I had with me to work with). Later the bottom was added to one. 

Then after she was born I made a receiving blanket using a method a quilting friend had shown me (I also watched a Youtube video  by Missouri Quilt Company that my friend recommended. Actually I watched it several times and the only thing I can say is the video says it will only take about 10 minutes and my feeling is that may be true after you have made a dozen or so. 

Cupcake Receiving Blanket

So since the fabric was cupcakes and I had already made the cupcake hat of course I had to continue the theme.

Cupcake Sleeping Beauty

Yes that is my sweet Miss Samantha!

And then I moved onto roses.

And then she needed some mittens to keep from scratching her face.

And of course a sweet little yoyo and button band for her head can next.

Some sweet stitching for Samantha

Plenty more ideas of things to make but for my finish it Friday I think I will try and complete the other two or three cupcake hats I started while sitting in the hospital.

Happy Catching Up and Finishing Friday!

Rose

"Almost White"

It started out to be a white piece; it ended up almost white.
I’ve been trying to be creative every day following the Creative Every Day blog. One week Misty Mawn suggested working in one color a day. On one of those days the color given was white. To me that was the biggest challenge. An all white piece. Now those who know me or who have visited my online store Big Island Rose Designs know that I’m not afraid of color. Many of the treasuries I make on Etsy prove that point. But an all white piece – hmmmmmm. Going with my theme of "back to where I started from" I knew that it would be a collage. So I began the search for white items, textures, details from old magazines. After I had collected a supply I started laying them down on my canvas. Now nothing looked white-white. It wasn’t very exciting either but I continued.
First a layer of torn text covered with a little gesso to tone the text down. Then I found some white paper heart doilies in my stash. Good. Next I arranged my “white” magazine pieces until I liked it. Still not exciting though. I knew I would add some buttons somewhere on the canvas so I played with them for awhile. I had another challenge with this piece, how to finish the edges. A quilt gave me the idea to cut squares of paper and wrap them around the edges. First I was going to do all text but then I spied some old sheet music damaged in places and decided to alternate words with music. Okay that works!
Some vintage white rickrack from my stash caught my eye. I added it to kind of accent the heart shape of the doily and mimic the doily’s edging. Searching the magazines some more I found a white daisy, perfect for the center of the heart but what about that yellow center. Definitely not white. I played with my buttons some more – maybe all around the heart or along the edges of the canvas. How about a big one to cover up that yellow center? All the time I could hear my former art instructor Joan Hill, “Rose, when you think you are done, always remove at least one thing, don’t overdue it.” Okay too many buttons and I really like the yellow center of the daisy – it makes the piece pop. So take away all but a few buttons and I’m done.
Only problem now is I like this piece so much I’m not sure if I’ll sell the original. I will definitely do prints of it. It would make a lovely card don’t you think?